Today’s conference spotlight
features poet Walter Bargen who became Missouri’s first poet laureate in 2008.
His poems and fictions have appeared in over 100 publications including
American Literary Review, Missouri Review, River Styx and more. He is the
recipient of a National Endowment for the Arts poetry fellowship in 1991 and
several subsequent awards. Over his forty year writing career, he has published
14 books of poetry including his most recent, Endearing Ruins,
(2012) along with Theban Traffic, (2008) which focuses on a couple,
Stella and Jake, living in the present-day town of Thebes in the Midwest.
During the “Write Time! Write Place!
Write Now!” writing conference, Walter will teach a breakout session and a
master class. His breakout session will investigate what the great prose poem
poet Russell Edson, meant when he wrote, “pure poetry is silence.” If this is
true, then how does anyone write a poem, knowing that this standard of purity
can never be reached by the act of writing?
Attendees of his Sunday morning
master class will take a close look at first lines in poetry. He will read
several examples of poems structured by their first line. Then, attendees will
write poems with the first line in mind.
Sarah: Walter,
thank you for taking the time to answer some questions about the impending
Missouri Writers’ Guild Conference. We’re looking forward to having you this
year!
Walter: I’m
honored to be asked to part of the MWG conference and look forward to meeting
fellow poets.
Sarah: What is
the most surprising thing you learned while being Missouri’s first poet
laureate?
Walter: What most
surprised me was the continuous interest in the position of Poet Laureate over
the entire two years of the appointment. I made over 100 appearances
including visiting primary and secondary schools, county and city libraries,
elder facilities, historical societies, book festivals, etc. And that number
could have been larger, except for scheduling conflicts and having the time to
do it.
Sarah: If
beginning poets want to publish their poems, where would you recommend they
start?
Walter:
Sometimes it is good to go back to the very beginning and remind
ourselves that if we are not writing, we should be reading. Reading is
the foundation of writing along with understanding that we must write every
day. Only if we become fluent and confident in our writing, trusting in the
process of writing, will magazine editors and publishers be interested in what
we write. Then I would begin by submitting my work to magazines within the
state where I live, e.g., Natural Bridge, New Letters, River Styx, Chariton
Review, etc. Also, I would find magazines on the web, such as, 2River, Midway
Journal, Valparaiso Poetry Review, etc., and submit to them, too. And if my
work is rejected I look on the rejection as an opportunity to revise the
work. Be persistent. Send the work out until you get it accepted.
Sarah: During
your master class, you plan to answer a lot of questions about first lines. Why
is the first line of a poem so important?
Walter: If
success is defined as getting the reader to read the poem that you’ve written,
then the first line is of paramount importance. If the first line is just
functional or weak, then there’s good chance the reader won’t enter further
into the poem. Plus a good first line helps the poem succeed in many more
ways that will be discussed during the workshop along with listing the
characteristics of a good first line.
Sarah: What
should attendees expect to learn from attending your breakout session on
silence in poetry?
Walter:
Hopefully, it will poets make use of one of the most powerful aspects of a poem
that is often overlooked and forgotten. Also, that there are many
forms/types of silence.
Sarah: What do
you hope people who attend your sessions take away from them?
Walter: An
excitement and a reinvigorated enthusiasm for writing and reading poetry, along
with some ideas and techniques for writing new poems.
Sarah: And
finally, any new projects you’re working on or any news in your world you’d
like to share?
Walter: My 15th
book, Troubled Behind Glass Doors, is
scheduled for publication in January, 2013. I have two other completed
manuscripts that are looking for publishers and two manuscripts that I’m
working on revising. And I will be giving a reading at the St. Charles Art
Foundry on April 27th at 7 pm.
Sarah: Walter,
thank you for taking the time to answer my questions about your upcoming guest
appearance at the Missouri Writers’ Guild Conference.
If you haven’t registered for the
conference, but are interested in attending and hearing Walter speak, it’s not
too late! Click here to learn more about late registration.
No comments:
Post a Comment